THE FIRST EPISODE of the new Channel 4 series Perfect Pub Walks with Bill Bailey visits several of the key Monsal Dale locations seen in the third series Survivors episode Mad Dog.
On this set of three walks across the Derbyshire Peak District, Bill Bailey is joined by fellow comedian, actor and panelist Alan Davies, for a spot of exercise and the chance to share in what could be some therapeutic personal conversation.
In the Peak District National Park, Bill and Alan Davies take the Monsal Trail to Derbyshire’s highest pub, Abney Moor and Mam Tor, and chat about the perils of ageing and the stresses of modern life
Channel 4
The episode was first broadcast on 20 February 2024, and is currently available to stream from Channel 4’s on-demand service.
THE CLOSING EPISODE of series six of Gone Fishing, with Bob Mortimer and Paul Whitehouse, returned its two stars to the Monsal Valley (the key filming location for the third series Survivors episode Mad Dog), revisiting the same stretch of the River Wye where the pair filmed the show’s first ever episode.
The episode, first shown on the BBC earlier this month, included shots of the Monsal Viaduct, and the footbridge close to Netherdale Farm, as well as many evocative aerial shots across the valley.
Paul and Bob return to the Peak District, this time with Ted, where they filmed their first episode of Gone Fishing back in 2017. Will the memories of that first trip come flooding back?
They start by fishing the Wye at Haddon Hall, hoping to catch chub, rainbow trout and wild brown trout, before moving on to the Derwent. As they cast, they recall memories of that first trip and look at how they’ve changed over the last six years.
BBC
The episode is available to stream or download for offline viewing (for UK viewers) from the BBC’s iPlayer service for 11 months (until October 2024).
Gone Fishing. 2023. Series 6, Episode, 6. BBC. First broadcast 8 October.
MONSAL DALE, THE key filming location for the third series Survivors episode Mad Dog, provides the ‘centre of operations’ for the ‘White Peak’ episode of Countryfile, first shown on BBC1 on 16 May 2021.
Presenters Matt Baker and Charlotte Smith introduce all segments of the show from different locations in the Monsal Valley in the heart of the Peak District to “celebrate the 70th anniversary of the UK’s first national park”.
Key sites from across the Dale feature throughout the episode, which ends with the creation of an artwork (made from natural materials) on the valley floor beneath the viaduct (close to the spot where Charles Vaughan tumbles from his horse in the opening moments of Mad Dog).
Matt joins a pioneering scheme to restore ruined farm buildings and meets ‘legend’ of the Peak District Gordon Miller, one of the area’s early rangers and a last link to those who brought about the national park. Charlotte channels her inner artist to help create a giant anniversary art mural and records the special sounds of the park’s waterways. Sean Fletcher meets a ‘tyre runner’ using the Peak District’s hills to help his mental health. Meanwhile, as some of his traditional crops fail, Adam takes a glimpse at what the farming of tomorrow might look like, and Joe Crowley investigates new pollution laws causing controversy in the countryside.
HAMPTON COURT IN Herefordshire, a key filming location in the first series of Survivors, features in a new episode of the long-running BBC auction show Antiques Road Trip.
Presenter Christina Trevanion visits the grounds of Hampton Court and its gardens to learn more about Tudor methods of soap production – household items which were manufactured by hand and perfumed with flowers and other naturally grown materials.
“Taking a break from shopping, Christina heads to a very fine garden to discover the fascinating history of how the Tudors kept themselves clean”
BBC
In Survivors, the lack of soap is briefly referred to during Abby’s group’s tenure at The Grange in series one. But it is in Survivors second series that the residents of Whitecross get stuck into the laborious business of making their own soap supplies.
Fittingly, Christina arrives at the house by motoring along the long front driveway in a “very robust” Series One Landrover. “Not as nippy” as the Porsche Speedster that her rival collectibles trader Serhat Ahmet is driving “but better over the bumps,” the episode’s description explains.
The short sequence at Hampton Court includes some striking aerial shots of the house and gardens.
The episode (Series 21, Episode 17) was first shown on BBC One on 8 December, and (for viewers in the UK) will be available on the BBC iPlayer until 7 January 2021.
FROM TODAY ALL three series of Survivors are available to stream, and to download for offline viewing, from the subscription-based and ad-free Britbox service.
Britbox is a recent collaboration between the BBC and ITV which brings together archive, classic and contemporary television programmes from both services’ catalogues.
Back in the 1970s, the BBC screened each series of Survivors only once. With no repeat broadcasts on terrestrial TV, it was not until the launch of cable and satellite television services in the 1990s that Survivors secured another screening on British TV screens.
Back then, the UK Gold station provided a platform for many classic cult and genre TV shows including Blake’s 7, Doomwatch and The Prisoner. All three series of Survivors regularly appeared on the UK Gold schedule, with the show’s last run ending with the broadcast of series three finale “Power”, shortly after midnight on Monday 27 April 1998.
While the first series of Survivors was released on VHS video (three times within ten years) and all three series on DVD (between 2003 and 2005), the show has not been made available through any UK TV service since the sign-off on UK Gold.
As well as Survivors, the Britbox catalogue currently includes all four series of Terry Nation’s Blake’s 7, genre favourites UFO, Space 1999, Quatermass and the Pit, Star Cops, The Avengers, The Hitchhikers Guide to the Galaxy and, naturally enough, Doctor Who.
Britbox is accessed through a web browser on a PC, laptop or tablet. A Britbox app is available for mobile devices and smart TVs.
The service offers a free seven day trial, and is available to subscribers for an ongoing monthly fee which provides unlimited access to the full contents of Britbox (which operates within the UK only).
Unlike other online programme services, such as Amazon Prime and Netflix, Britbox has not yet commissioned new programmes. Although it has acquired rights to some original dramas, Britbox’s main focus is on “previously enjoyed” content.
Listing for the first three episodes of series one of Survivors on the Britbox platform, 17 September 2020Detail from Survivors banner on the Britbox platform, September 17 2020 (left-hand view)
A NEW BOOK which examines the way in which actors perform in television drama, and the way in which their performance is captured by the camera, uses Survivors as one of its illuminating case studies.
He looks at the interplay between custom and practice, acting theory, evolving technology and other factors in shaping how performance for television is realised. Hewett pays particular attention to the distinction between studio and ‘on location’ production, exploring the influence that ‘place’ exerts on the way that a story is translated from page to screen.
Hewett’s book builds on the research that he undertook for the doctoral thesis, and an academic journal article that he published as one of the outputs of his research findings. Yet it’s clear that the aim of the book is to reach a non-academic as well as an academic audience.
For those interested in the history of British television production, there’s a great deal in Hewett’s book to capture the attention.
Enthusiasts with a particular interest in Survivors will be able to enjoy some fascinating and original reflections on the making of the show, informed by new interviews with cast members (including Lucy Fleming and Denis Lill and Roger Lloyd-Pack), and illustrated with numerous screencaptures from different episodes of the show.
In a Q&A with publishers Manchester University Press, Hewett explains that he enjoyed “every aspect of writing the book, from re-viewing the case studies to poring over archive documents.” He suggests that conducting interviews was the most satisfying part. “It was fascinating to have my theories challenged by the practitioners who originally worked on my case studies,” he says – people who were on set at the time and who were able to offer “their own unique perspectives.”
This book provides a historical overview and then-and-now comparison of performing for British television drama. By examining changing acting styles from distinct eras of television production – studio realism and location realism – it makes a unique contribution to both television and performance studies, unpacking the various determinants that have combined to influence how performers work in the medium. The book compares the original versions of The Quatermass Experiment (BBC, 1953), Doctor Who (BBC, 1963-89) and Survivors (BBC, 1975-77) with their respective modern-day re-makes, unpacking the effects of the shift from multi-camera studio to single-camera location production. Textual analysis is combined with extensive archival research into production process and reception, alongside interviews with numerous actors and production personnel from more than sixty years of television production.
Richard Hewett. 2020. The Changing Spaces of Television Acting: From studio realism to location realism in BBC television drama. Manchester: Manchester University Press, ISBN 9781526148636.
“I COULDN’T WATCH that first season again. It’s too harrowing,” says Adrian Hodges of the remake of Survivors shown on BBC One in 2008. “It’s so close to what we’re going through now.”
In an interview in the Guardian, with genre journalist Steve O’Brien, Hodges looks back at the reception and impact of his remake of Terry Nation’s classic 1970s’ original tale of post-apocalyptic survival.
Illustrated with one of the familiar publicity shots of the original three series’ leads from third episode Gone Away, a short section of the article compares the revival with the original.
In doing so, O’Brien only commits three of the regular journalistic faux pas documented in How to annoy a Survivors fan.
When it’s suggested that, in depicting the impact of a global pandemic on screen more than ten years in advance of its real-world arrival, Hodges should be seen as a “prophet”, he disagrees. “I don’t think I am,” Hodges tells O’Brien. “It’s Terry Nation who should be called that.”
DENIS LILL PUTS in a winning guest appearance in the second series of Shakespeare & Hathaway: Private Investigators currently showing on BBC One and available in the UK on the iPlayer.
The show is described as a “comedy drama about an oddball couple of private detectives who investigate crime in Stratford-upon-Avon.”
Lill appears in the fifth episode of series two “No More Cakes and Ale” as seventy-something farmer and plaintiff Eddie Dogberry. The Radio Times describes Lill’s appearance as follows:
Who is Eddie Dogberry? Late one night at Touchstone Farm, farmer Eddie was violent assaulted when he accosted three thieves attempting to steal his quad bike. Now the date for his court case has arrived, and he wants justice.
What else has Denis Lill been in? The actor is known for his role as Alan Parry in Only Fools and Horses. More recently, he starred as Mr Rose in TV series The Royal.
The episode will be available for streaming (in the UK) from the BBC’s iPlayer service until February 2020.
TV CAMERAS WERE back in Monsal Dale again recently, this time to record part of a two-wheel tour of the Peak District by Larry and George Lamb.
Episode three of the second series of Britain by Bike with Larry & George Lamb (first shown on Channel 5 in the UK on 31 August 2018) showed the father and son cycling along the Monsal Trail out of Bakewell, through the Headstock Tunnel and out across the Monsal viaduct.
In 1977, the Monsal valley was one of the principal filming locations for the third series Survivors episode Mad Dog.
‘The Peak District’ episode of Britain by Bike is available to stream from the My5 web site (until 15 July 2019).
THE MONSAL VALLEY filming locations used in the classic third series Survivors story Mad Dog featured in an episode of Mortimer & Whitehouse: Gone Fishing shown on BBC Two earlier this month.
The BBC’s cameras (at both ground and drone level) took in shots of the valley floor, the valley’s bridges, the viaduct, the weir and (of course, given the subject matter) the river Wye as it meanders its way through the valley.
The series shows the efforts of comedians Bob Mortimer and Paul Whitehouse to fish in a variety of locations (with Whitehouse as the expert and Mortimer as his apprentice). With both of them having to adjust their lives after recovering from major heart surgery, the pair spend as much time joking, teasing one another and reflecting on their lot as they do attempting to catch-and-release fish.
Episode three “Rainbow Trout – Derbyshire Wye” was first shown on BBC Two at 22:00 on 4 July 2018, and will be available on the BBC’s iPlayer (for viewers in the UK) for thirty days following transmission.
A fully-illustrated guide to all of the Monsal Valley filming locations used in Survivors can be found on the Survivors: Mad Dog site.